Kintsugi (Japanese: 金継ぎ, lit. 'golden joinery'), also known as kintsukuroi (金繕い, "golden repair"), is the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold, silver, or platinum.

Wabi-sabi is a Japanese aesthetic philosophy that celebrates imperfection, impermanence, and incompleteness. It is deeply rooted in Zen Buddhism and emphasizes finding beauty in the simple, the humble, and the natural. Wabi-sabi contrasts sharply with Western ideals of perfection and symmetry, offering a more contemplative approach to art, design, and life.

Japonisme (derived from the French word for “Japan”) refers to the influence of Japanese art, design, and aesthetics on Western art, especially in France and the rest of Europe, during the late 19th and early 20th centuries. This cultural phenomenon began with Japan’s reopening to the West in the 1850s and 1860s after over two centuries of isolation under the Tokugawa shogunate.

Yamato-e (大和絵) is a classical Japanese painting style that emerged during the Heian period (794–1185 CE). Its name translates to “Japanese painting” and is used to distinguish it from Kara-e (唐絵), or “Tang-style painting,” which refers to Chinese-inspired art. Yamato-e reflects Japanese aesthetics, focusing on domestic themes, seasonal landscapes, and courtly life, with a unique emphasis on narrative storytelling and decorative beauty.

Zen Calligraphy or Zenshō (禅書), is a unique form of brush calligraphy deeply rooted in the philosophy and practices of Zen Buddhism. It is not just an artistic expression but also a spiritual practice, where the act of writing becomes a form of meditation and a way to express one’s inner state. Zen calligraphy is closely associated with Zenga (禅画), the Zen-inspired painting tradition, but it focuses specifically on writing characters or symbols with a brush.

Zenga (禅画), meaning “Zen painting,” is a style of Japanese art deeply rooted in Zen Buddhism. Practiced primarily by Zen monks, Zenga is characterized by its simplicity, spontaneity, and directness, aiming to capture the essence of Zen philosophy. It serves not only as an art form but also as a meditative practice and an expression of spiritual insight.

East Asian painting encompasses a rich tapestry of philosophies and artistic principles that have developed over centuries. Rooted in Chinese traditions and later adapted by Japanese and Korean cultures, these philosophies reflect shared values of harmony, nature, and spiritual expression, while each region developed its unique artistic identity.

Learn how to distinguish between Japanese sumi-e (ink painting) and Chinese shui mo hua (水墨画, ink-wash painting). They share many similarities due to their historical and cultural connections.

Sumi-e (墨絵) is a traditional Japanese art form that emphasizes simplicity, balance, and the essence of the subject. It evolved from Chinese ink-wash painting (水墨画) and was deeply influenced by Zen Buddhism. Sumi-e uses black ink, water, and brush techniques to create dynamic and expressive artworks.

Japanese art style Ukiyo-e (浮世絵), meaning “pictures of the floating world,” is a genre of Japanese art that flourished during the Edo period.